But the one song that brings it all together is the banger of an opener “Full Moon, Full Life,” which uses clever melodic and lyrical callbacks to Persona 3’s musical history while representing the message of its story to a tee. So even if the more granular details of Persona 3’s story start to fade, these songs can evoke the memory of an unforgettable journey.

I fully appreciate this improvement to the presentation, as the well-done voice acting made the Social Link interactions much more enjoyable to sit through and had me more invested in their stories than in the original version, where they were mostly unvoiced.

Alas, it was not meant to be. So, for all you newcomers out there, make sure to keep the main character at all costs to prevent yourself from an unnecessary ‘game over’.

If the attacker uses a Skill that hits multiple enemies, they only need to knock down one to get a One More. You cannot gain a One More from an enemy already knocked down.

The soundtrack is just as incredible to listen to as ever – providing a relaxing atmosphere during calm moments, tension and dread during serious moments, and blood-pumping excitement during boss battles. The soundtrack has even managed to make me feel emotional during the sad and poignant parts of the story.

The game's official box art drawn by Shimada is an intentional recreation of Persona 3's Japanese PlayStation 2 key art, featuring the protagonist alongside the Persona Thanatos. Multiple revisions were made to update the homage, as Soejima and Yamaguchi discussed whether to just feature the protagonist and his Persona, or alongside the other main characters in the game.

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Tomohiro Kumagai, a lead UI designer at P-Studio on Persona 4 Arena Ultimax (2013), as well as both Persona 5 and Royal, serves as Reload's art director. Kumagai was among Yamaguchi's earliest hires for the project shortly after he assumed the role as the game's director. Kumagai became attracted to the prospects of working on the game having been captivated by the original Persona 3's art design, and its notion that a user interface could have powerful synergy with the game's themes. He explained that Reload's menu interface drawing on the imagery of being submerged in water, was developed from his initial perception of the original game's heavy usage of blue in the menus, which was further iterated on by the UI design team.

We got confirmation that you’ll be able to walk around Gekkoukan High School, talk to students, and socially interact with them similarly to the original game, as opposed to the largely menu-based Persona 3 Portable.

Dungeons now share the perspective of Persona 4 and Persona 5, where the camera is behind the player rather than top-down. Series staples such as recruiting and combining demons are the same as before, though it’s been speculated that there are additional social links.

One of the biggest reasons why everything comes together so powerfully in Reload, specifically, is the way the new voice cast brings its characters to life. I cannot overstate how the fantastic voice performances perfectly capture the original spirit of each party member, then elevate them to become even better versions of themselves. It’s impressive considering how distinct each voice was to begin with, but right from the jump, I knew this cast had nailed each role.

Following the game's official reveal, Atlus shared several additional details about Reload. P-Studio chief director Kazuhisa Wada and game producer Ryota Niitsuma clarified their intentions of producing a completely faithful recreation of the original Persona 3 experience, including implementing multiple "new scenes and events" beyond the retained narrative. However, the pair confirmed that as a result of remaining solely faithful to the game as it was originally released, none of the story content integrated into either Persona persona 3 reload gameplay 3 FES or Persona 3 Portable would be remade for Reload, such as the epilogue chapter "The Answer" or the second female protagonist and her associated content.[14] Wada clarified following this interview however, that other story and gameplay elements first added to the main story scenario in FES would still feature in the game.[3] During a separate interview published in Weekly Famitsu, Wada, Niitsuma and game director Takuya Yamaguchi also expressed enthusiasm towards introducing alterations to the existing game's controls and map design, highlighting that the game's main dungeon, Tartarus, would undergo a "particularly large change" in structure from the original game due to the increase in environmental density, as well as interactive features and landscapes within existing areas.

In the input field, type a question that could be answered with "yes" or "pelo." You can ask up to 20 questions before the game is over

As you explore Tartarus, you occasionally encounter roadblocks that impede your progress. These roadblocks can only be removed by defeating special boss Shadows, appearing only when the moon is full.